Terminal Boards & Strips

This PCB is a recreation of the iss. 1 circuit board found in classic Fuzz Face pedals. When drawing the layout, multiple originals were closely referenced to ensure a proper match and fit. The copper traces are gold plated providing protection from corrosion indefinitely. This classic board fits the mounting holes on both original and reproduction Fuzz Face enclosures. There are numerous great parts choices available for this PCB.

This board is a recreation of the MKI circuit board found in early Tone Bender pedals. When drawing the layout, an original board was closely referenced to ensure a proper match and fit. Since the MKI boards were hand drilled, the holes have an organic layout that was somewhat unique to each build. This board follows the exact hole pattern of one of these original builds. The build style is also fairly unique in the MK1. It is a point to point style board without eyelets or turrets. The leads of the parts are wrapped upward around the edge of the board and then solder is applied to connect the components. For a detailed drawing of the parts and connections originally used on this board, please see the layout drawing linked below. There are numerous great parts choices available for this PCB.

This board is a recreation of the circuit board found in Tone Bender Professional MKII pedals. When drawing the layout, an original board was closely referenced to ensure a proper match and fit. Since the MKII boards were cut from stripboard, this board follows the same format but is completely ready for soldering with precut traces and drilled mounting holes. The build style is very straightforward on the Mk2. It is a standard stripboard build and follows a very linear circuit path across the board. The traces are gold plated making soldering easier than most stripboards. Additionally the plating provides protection from corrosion. For a detailed drawing of the parts and connections originally used on this board, please see the layout drawing linked below. There are numerous great parts choices available for this PCB.

Iss. 1 fuzz PCB made with a phenolic substrate for an even closer match to the vintage production boards. Phenolic boards are found in many vintage electronics before the use of fiberglass became common. This PCB is a recreation of the iss. 1 circuit board found in classic Fuzz Face pedals. When drawing the layout, multiple originals were closely referenced to ensure a proper match and fit. The copper traces are gold plated providing protection from corrosion indefinitely. This classic board fits the mounting holes on both original and reproduction Fuzz Face enclosures.

3PDT switch mounted charge pump PCB for positive ground effects. This small PCB simplifies the wiring of 3PDT foot switches in guitar pedals while also offering -9V when used with a standard +9V power supply. This is a great option for positive ground effects such as vintage fuzz pedals. The circuit of this PCB also features a protection diode and an LED indicator for when the effect is engaged.
This board is compatible with the MAX1044, TC1044S, TC7660S, and LT1054 charge pump ICs.

Screw mounted charge pump PCB for positive ground effects. This small PCB provides -9V when used with a standard +9V power supply. This is a great option for positive ground effects such as vintage fuzz pedals. The PCB has a low profile design and is a simple addition to any build using a standoff to mount the board. This board is compatible with the MAX1044, TC1044S, TC7660S, and LT1054 charge pump ICs.

Marshall PC Board for TSL 100 / 122. Rev 20.

Replacement board for Marshall JCM 2000 DSL 100 amplifiers which frequently have issues with original boards. This replacement can bring your amp back to life!

Original Crybaby replacement circuit board for pedals made after 1990. Original Dunlop replacement part.

Genuine Fender® Mid Boost upgrade kit for Strats with active electronics. This circuit is used in the signature Eric Clapton and Buddy Guy strats and is commonly referred to as the Clapton Boost. The Mid Boost knob adjusts gain from 0 dB (no boost) to 25 dB (maximum boosted mids). This boost sounds great clean and adds powerful control to distortion.