Speakers & Components
Speakers. The last opportunity to modify your tone. Unlike hi-fi speakers which attempt to create sounds that are true to the musical source fed them, guitar speakers impart their own tone. Your amp/cabinet pretty much determines three things about what speaker to select; speaker size, impedance and power rating. (See our tech corner article on Speaker Impedance, Power Handling and Wiring). But the tone is up to you! Speaker replacement is probably the easiest mod you can perform.
CeramicVintage Ceramic speakers are designed to sound similar to the Alnicos, and were first developed in the 1960s as a cost effective alternative to the Alnicos. The advantage of the ceramic speaker is its ability to handle more power as well as a player's front end pedal accessories. Vintage Ceramic speakers are recommended for all types of music, and sound best at loud volumes.
JensenJensen Loudspeakers have a long history. Founded in 1927 by Peter Jensen, one of the co-inventors of the loudspeaker, Jensen began producing commercial amplifier loudspeakers in the 1940s.
Speaker - Jensen® Vintage Ceramic, 12", C12N, 50W
The C12N is one of the most important speakers in Jensen’s history. It is the top 12” speaker of the ‘Blackface Era, used by many American manufacturers in the mid ‘60s for their upper range models when the price of AlNiCo became unsustainable for the manufacturers. Clear highs, solid mids, and powerful basses, it epitomizes the tone of that decade, from the surf, the rock n’ roll, the electric blues and the West Coast inspired music. It was used in Twin, Bassmanä and Bandmasterä style amps, and many others.
Speaker - Jensen® Vintage Ceramic, 15", C15N, 50W
The Blackface era sibling of the P15N is a powerful, open sounding speaker with a cutting presence on the full range of frequencies. The C15N is very efficient and delivers dynamic, high-headroom and punchy tone from bass to trebles. It is the first-choice speaker for many pedal steel and blues players. It is very commonly found in Pro® and Vibrolux® amps in the ‘60s and is used in the low frequency drum of the Leslie® 122 and 147 amplifiers.