Ferrite magnet cast aluminium chassis driver.

Professional Series 18" speaker. Recommended for professional audio as a woofer in vented enclosures. Also ideal for horn loading and scoops.

Ferrite magnet cast aluminium chassis driver

Ferrite magnet cast aluminium chassis driver

Speaker, Celestion, CF18VJD, 18 in., 8 ohm Features:

• 18" ferrite magnet, cast aluminium chassis LF driver delivering 1600Wrms (AES Standard) power handling and 97dB sensitivity
• 5" high temperature, dual layer, Inside/Outside voice coil for higher efficiency, preventing sensitivity loss through thermal compression
• FEA optimized magnet assembly and suspension deliver highly symmetrical cone movement, leading to exceptionally low harmonic distortion
• Vented front plate increases airflow to provide enhanced cooling
• Twin demodulation rings reduce flux modulation, minimizing electromagnetic distortion
• Double suspension and "multi-roll" surround provide exceptional linearity at extremes of cone excursion

Speaker, Celestion, CF1830E, 18 in., 8 ohm Features:

• 18" ferrite magnet, cast aluminium chassis LF driver delivering 700Wrms (AES Standard) power handling and 94dB sensitivity
• 3" high temperature, multi-layer voice coil for greater motor force
• FEA optimized magnet assembly and suspension deliver highly symmetrical cone movement, leading to exceptionally low harmonic distortion
• Balanced Airflow Venting (BAV) on the front-plate increases airflow to provide enhanced cooling
• Dual Magnet Motor (DMM) incorporates a secondary magnet used to increase overall motor force (Bl) without the need for any additional increase in magnet size
• “Multi-roll” surround provides exceptional linearity at extremes of cone excursion

Speaker, Celestion, CF1840JD, 18 in., 8 ohm Features:

• 18" ferrite magnet, cast aluminium chassis LF driver delivering 1000Wrms (AES Standard) power handling and 98dB sensitivity
• 4" high temperature, dual layer, Inside/Outside voice coil for higher efficiency, preventing sensitivity loss through thermal compression
• FEA optimized magnet assembly and suspension deliver highly symmetrical cone movement, leading to exceptionally low harmonic distortion
• Vented magnet assembly increases airflow to provide enhanced cooling
• Twin demodulation rings reduce flux modulation, minimizing electromagnetic distortion
• Double suspension and "multi-roll" surround provide exceptional linearity at extremes of cone excursion

This 12 inch guitar speaker meets the expanded frequency range often requested by the new generation of amp manufacturers.The Seventy 80 is detailed and crisply defined, with a tightly controlled low-end and punchy, aggressive upper mid-range. The top-end response is also subtly increased. Used singly, in pairs or quartets – it is capable of reproducing a wide range of sounds and styles whilst adding the undeniable Celestion character to any amp.

Adopted primarily in the Vibrolux® and Vibroverb® amps of the Brownface and Blackface era, the C10Q is a very easy to drive speaker that breaks up nicely with straightforward biting character. It was also very common in many Silvertone® and Valco® amps. It loves the 2x10 configuration and the floating baffles.

Developed as the ceramic version of the P10R, for low-powered studio amps, the C10R is revered for having been the speaker of the Blackface Princeton®, the Princeton Reverb® and many others. The combination of the warm sounding circuit of the Princeton and the bright, colorful tone of the C10R delivers magical tones in any recording session.

While not strictly a vintage reissue, the C12K is the first design that Jensen developed in the early ‘90s. It is tonally inspired by the classic vintage ceramic Jensen, but with a substantially stronger voice, full bass and smooth top end. The C12K became one of the speakers of choice for Fender®, used in a myriad of world-selling models. Vintage tone with modern power handling and dynamics are the key virtues of the C12K.

The C12N is one of the most important speakers in Jensen’s history. It is the top 12” speaker of the ‘Blackface Era, used by many American manufacturers in the mid ‘60s for their upper range models when the price of AlNiCo became unsustainable for the manufacturers. Clear highs, solid mids, and powerful basses, it epitomizes the tone of that decade, from the surf, the rock n’ roll, the electric blues and the West Coast inspired music. It was used in Twin, Bassmanä and Bandmasterä style amps, and many others.

Following the heritage of the P12Q, the C12Q is one of the most versatile speakers in the Vintage range. Powerful enough for a cranked Deluxe-style amp yet balanced and warm, it surely is not lacking in bite. It has been used in both single and twin configurations by countless manufacturers including Fender®, Ampeg®, Silvertone® and Supro®, just to name a few.

Typically used in the lower powered 12” amps for studio or practice, the C12R is a clear sounding, sparkling speaker, very sensitive to the character of amplifier. When paired with a stout, rich and warm electronic design it can do wonders. Ampeg® Jets and Reverberockets are just some of the most revered amps that carried C12R as their factory choice.

The C15K is the contemporary version of the C15N and offers one of the fullest sounding tones in the entire range. With powerful basses, rich in the whole midrange and smooth but extended in the treble range, the C15K is a first choice for traditional jazz players, as well as for fusion and roots rock styles.

The Blackface era sibling of the P15N is a powerful, open sounding speaker with a cutting presence on the full range of frequencies. The C15N is very efficient and delivers dynamic, high-headroom and punchy tone from bass to trebles. It is the first-choice speaker for many pedal steel and blues players. It is very commonly found in Pro® and Vibrolux® amps in the ‘60s and is used in the low frequency drum of the Leslie® 122 and 147 amplifiers.

The C8R is the little gem in the Jensen Vintage series. It delivers a solid compact tone that defies its size. Extremely versatile, it finds application in small home and student amplifiers; but with a microphone in front, it is capable of transferring on tape some of the biggest tones ever. Not by chance, the vintage Fender® Champ® amplifiers produced with the C8R speaker are treasured by many players as a great studio tool.