New Products

Power Transformer, 117 V, 60 Hz. Used in the Fender Sunn 2000, 120 Watts. Physically, parts were designed to look similar to original factory units (where possible). Material used & design specs. were kept as close as possible to the original part to preserve the stock "tone".

Black extruded heatsink with radial fins for use with TO-220 and TO-202 transistor packages.

Fender® Custom Shop’s hot-rodded take on a vintage pickup set has quickly become a modern classic. Built onto the core of 1950s Fender® single coil pickups, the Fat ‘50s are wound to enhance the bass response while maintaining a smooth midrange and the top end clarity and brilliance of the originals.

This book is a step-by-step tutorial for simulating vacuum tube guitar amplifiers using LTspice, a free SPICE-based electronic circuit simulator for Windows and macOS. The book walks you through the basics of developing a schematic, setting up a simulation, integrating vacuum tube models, and interpreting the results. From there it gradually ramps up to advanced topics, like verifying the sonic performance of a guitar amplifier as a complete system, analyzing the dynamics of overdrive, and writing new SPICE models for triodes and power tubes.

Westwood is a touch sensitive translucent overdrive manipulator as clean and pure as the breeze which blows through a grove of Douglas Fir trees, and as hot as a damn fine cup of coffee. This mild-mannered light- to medium-gain overdrive with active EQ controls will still knock the socks right off your trusty low-wattage combo amp, pushing it into anything from cutting, edge-of-breakup rhythm tones, all the way to articulate, singing lead tones stacked high with pleasing even-order harmonics and sweet, sweet sustain. And if you pair it up with your favorite head and cab, you should probably call the neighbors first, because the Westwood’s Level control has enough output on tap to alert the proper authorities. Even the FBI. Each and every Westwood is a real Blue Rose case, hand built by a team of special agents in the Black Lodge of Akron, Ohio, USA, where the owls are not what they seem, there’s always music in the air, and the birds sing a pretty song.”

Swiss Things® combines two true-bypass Flexi-Switch® enabled effects loops, a Flexi-Switch® AB-Y box with transformer isolation between outputs, a buffered tuner output, 20dB of clean boost with adjustable gain, an expression pedal output for volume control and a quiet, high headroom output buffer into a compact pedalboard-friendly signal routing junction box that lives at the top-right corner of your pedalboard and really ties your rig together without any signal loss. This is what you can do with it:

• Use as many pedals as you’d like without tone-suck
• Quickly and easily bypass or engage all of your effects with one click
• Use Flexi-Switch® Technology with every pedal in your setup
• Eliminate volume pedal tone-suck by using any expression pedal to control volume
• Use multiple amps without phase issues, ground loops, or extra noise
• Tidy up your rig, shorten cable runs, and reduce tone loss by keep

Welcome to the Rainbow Machine, in all its synthetic glory! This one is for experimenters, adventurists, and noisemakers. Totally not for purists and/or tone hounds. There are no “natural sounds” that come from this box. It takes modern DSP and uses it as a tool of future past to create real-time pitch shifting using digital oscillators.

Plumes™ is a unique, all-analog approach to a classic tube-like overdrive circuit offering 3 different clipping voices, loads of headroom and almost three-dimensional clarity that will push your amp over the edge. The reimagined tone control is finely tuned to sculpt low end, clear top end, and focus midrange with blooming sustain.

The Palisades is something we said we would never do… an overdrive based on the legendary TS808! After loads of requests, we finally buckled. We ran tests with every popular clone on the market as well as several vintage originals, compared, contrasted and took loads of notes. It was exhausting but informative. In the end, we threw it all away, used our ears and came up with what we feel is the most versatile relative of the 808 available today. With 6 different clipping voices, 5 bandwidth settings and 2 gain channels, you will be hard-pressed to not find a setting that will wipe every mid-boosting overdrive off your board. The Palisades is a versatile dude that will give you years of loving companionship.

EarthQuaker Device's flagship fuzz pedal can be found on thousands of pedalboards around the world and has rocked countless stages from stinky suburban basements to Madison Square Garden. Twice. The Hoof is loosely based on the classic green Russian fuzz circuit and features a hybrid Germanium/Silicon design, pairing maximum tone with maximum temperature stability not found in finicky and expensive vintage units. We hand-match our NOS Germanium transistors to exacting specifications for pedal-to-pedal consistency, taking the guesswork out of your fuzz purchase, and guaranteeing that your Hoof delivers the same smooth, natural, and harmonically-rich sustain as all your friends’ Hoofs. All your friends have Hoof fuzzes, right?

The Dispatch Master is a hi-fi digital Delay & Reverb Device that combines independent delay and reverb effects into one space-saving enclosure, so you can keep deep ambient echoes (or just a quick slapback) on speed-dial. The best-selling EarthQuaker Devices pedal just got bester [sic] with new Flexi-Switch® Technology! Want to dip into ambient delay and reverb sounds for just one note? Press and hold the footswitch for as long as you use the effect, release it when you’re finished, and resume your regularly scheduled dry sound. To use the Dispatch Master as a normal effects pedal, press the switch once to activate and again to bypass.

The Data Corrupter is a monophonic analog harmonizing PLL with modulation. It takes your input signal and brutally amplifies it into a crushing square wave fuzz tone that is then multiplied, divided and modulated to create a wild, yet repeatable, three-voice guitar synthesizer. The Master Oscillator is the central nervous system at the heart of the Data Corrupter’s cyberpunk hive mind. It feeds your input to the signal harvester in its original octave (Unison), one octave down (-1) or two octaves down (-2) for maximum compatibility with your preferred instrument and frequency register. Once you’ve chosen your input octave, then the Data Corrupter will perform its calculations and spit out an analog synthesized frequency, which can be pitch-bent for portamento or vibrato sounds by the Frequency Modulator! From there, you can blend in one of eight Subharmonic intervals up to three octaves below the input and mix in a square wave fuzz tone for maximum data corruption.

The Avalanche Run is a dreamy stereosonic exploratory multi-tool that includes up to 2 seconds of delay time, reverse delay, tap tempo with subdivision control, switchable true bypass or buffered bypass with 5 different tail lengths (including a sound-on-sound style lo-fi looping mode) and an assignable expression control that maps the expression jack to a control of your choice, including the toggle! The delay section allows tweaking from tape emulation to bucket brigade styles with a twist of the wide-range Tone control. The cavernous, plate-style reverb has just a touch of modulation similar to the one found in our precious Dispatch Master only more lush with an adjustable Decay. Otherworldly reverse delay and dynamic swelling reverb settings are accessible through a 3-way toggle switch. And that’s just the beginning...

The Afterneath sounds a lot like it looks – a wizard in a cave in a box. You are the wizard – or sorceress, if you prefer – and the cave is your instrument’s signal, vast, expansive, and magical. Do you go inside? Roll a D20 to proceed! Once inside, a reflection of light from an unknown source catches your eye, and you notice a bizarre sheen on the walls of the cave. You timidly inch closer to the walls of the cave. Placing your hand gently on the cavern wall, you feel the rock move. The cave is alive! Alarmed, you emit a loud gasp, which reverberates throughout the subterranean landscape. Upon further listening, it appears as though the reverberations of your voice are in fact a swarm of short digital delays which may be used to create wild and cavernous reverbs, or scattered, short, rhythmic delays with bizarre characteristics.

The Acapulco Gold is a dirt-simple distortion Device modeled after the sound of a cranked vintage Model T amplifier, bringing the openness, clarity, and crunch that only a dimed tube amp can provide, at a fraction of the size, and without expensive maintenance costs! Since tone is in the hands, we decided to keep the controls of the Acapulco Gold as simple as possible. The footswitch turns the pedal on and off, and the giant knob controls the output volume. That’s it. The rest is at your fingertips. Want less gain? Turn down your guitar’s volume knob. Need a darker rhythm tone? Roll back your guitar’s tone control. Easy, right?

Plastic electric guitar nut.

Plastic strat guitar nut.

This vintage knob design has been used on numerous boutique pedals. These classy knurled pointer knobs are made from a solid mold, feature a slotted set screw, and fit ¼" solid shaft potentiometers.

These pickguards have eleven mounting holes and feature cutouts for two single coil pickups and a humbucker in the bridge position. The humbucker cutout has rounded corners for a flush fit with uncovered pickups.

Replacement pickguard for Tele guitars. These pickguards feature five mounting holes. Cut from a thicker single ply sheet, these pickguards offer a vintage style with added rigidity.

Replacement pickguard for Fender® Standard Strat® models. These pickguards have eleven mounting holes and are cut for the classic strat® configuration. Fits most American and Mexican Standard Stratocasters®. Features:

• 3-ply / 2.5mm thickness
• 11 mounting holes
• Shielding over electronics cavity
• Fits 3/8" bushing pots
• Various colors available

Replacement pickguard for Fender® '57 Strat® models. These single ply pickguards have eight mounting holes. Cut from a thicker single ply sheet, these pickguards offer a vintage style with added rigidity. Fits most American, Japanese, and Mexican '57 Stratocasters®.

Replacement pickguard for Fender® '57 Strat® models. These three-ply pickguards have eight mounting holes. Fits most American, Japanese, and Mexican '57 Stratocasters®.
Features:

• 3-ply / 2.5mm thickness
• 8 mounting holes
• Shielding over electronics cavity
• Fits 3/8" bushing pots

These pickguards have eleven mounting holes and feature cutouts for two single coil pickups and a humbucker in the bridge position. Fits most American and Mexican Standard Stratocasters® that are routed for a humbucker bridge pickup.