Amplifier Parts

These Tube Amp Doctor black plastic corners are great replacements for Vox® and Orange® amps and cabinets that feature this type. The two larger holes are for use with screws while the small holes are intended for pins/nails just like the originals. Measures 0.720" x 4.805".

This handle has a flexible molded black grip with two rugged die-cast mounts. There are two holes per mount for use with M4 screws. See specifications below for dimensions.

Vintage style using only the finest tolex available.

• Height: 19"
• Width: 26.5"
• Depth: 11"

Fuse holder cap replacement for P-SP2-500 power receptacle.

Package of 10 Zinc Kep nuts. Available in multiple diameters.

12 feet, bare end type SJT (replaces most US made amps)

8 feet, bare end type SJT (replaces most US made amps)

High brightness 5mm LED. Great for use in pedal and amp builds as well as other applications where a bold, bright, indicator is needed. Multiple colors available.

• 5mm size
• Water clear
• High brightness
• Multiple colors available
• Package of 5

High brightness 3mm LED. Great for use in pedal builds and other applications where a bold, bright, indicator is needed. Multiple colors available.

• 3mm size
• Water clear
• High brightness
• Multiple colors available
• Package of 5

PCB Mount Fuse Cap.

• 1.31” x 0.42”
• Takes GMA sized fuse

Rivets for fastening corners.

Box of 20 or box of 100.

Genuine Fender aqua jewel.

Revive the look of your vintage-style or modern Fender amp with a genuine Fender amplifier logo.

• Genuine Fender Blackface amplifier logo
• Mounting screws included
• Designed for Super-Sonic™ series, ’94 Twin-Amp™, Pro Reverb™, Prosonic™, Concert Reverb™, ’65 Twin Reverb®, ’65 Deluxe Reverb®, ’65 Super Reverb®, Machete™, ’65 Princeton® Reverb, ’64 Vibroverb™, ’68 Custom Princeton, ’68 Custom Twin Reverb, ’68 Custom Deluxe Reverb, Steel King, Jazz-King™, Cyber Twin®, VM series, Princeton Recording Amp, Bassman® Pro series, Stage™ 1000, Deluxe™ 900 and Princeton 650 amplifiers plus others.

Inherent vibrations degrade the sound quality of your audio/video system. VIBRAPOD Isolators were designed to isolate your components from vibration in both the horizontal and vertical planes. VIBRAPOD Cones work best in the vertical plane, however when combined with VIBRAPOD Isolators they enhance isolation in the horizontal plane.

Inherent vibrations degrade the sound quality of your audio/video system. VIBRAPOD Isolators were designed to isolate your components from vibration in both the horizontal and vertical planes. VIBRAPOD Cones work best in the vertical plane, however when combined with VIBRAPOD Isolators they enhance isolation in the horizontal plane.

Inherent vibrations degrade the sound quality of your audio/video system. VIBRAPOD Isolators were designed to isolate your components from vibration in both the horizontal and vertical planes. VIBRAPOD Cones work best in the vertical plane, however when combined with VIBRAPOD Isolators they enhance isolation in the horizontal plane.

Pure Vintage Amplifier Handle (2-screw mount)

• Black amplifier handle with vinyl sleeve over steel strap and two-screw nickel-plated end caps
• Includes mounting hardware (four screws and T-nuts)
• Used on Cyber Twin, Cyber Twin SE, Cyber Deluxe, Stage™ series, Deluxe 90 DSP/900, Ultimate Chorus™, Princeton 65 DSP, '65 Twin Custom®, '94 (Evil) Twin®, "The Twin", Deluxe VM, Bandmaster VM Head, Steel King, and Bassman® 300 amplifiers
• 8" center to center. 9 ¼" handle length without end caps.

Pure Vintage Amplifier Handle (1-screw mount)

• Black amplifier handle with vinyl sleeve over steel strap and one-screw mounting nickel-plated end caps
• Includes mounting hardware (two screws and T-nuts)
• Introduced on Blonde, Brown, and Blackface™-era Fender® amplifiers
• Used on '65 Twin Reverb®, '65 Deluxe Reverb®, '65 Super Reverb®, '65 Princeton Reverb®, '64 Vibroverb Custom, Custom Vibrolux®, Vibro-King® 212 Enclosure, Blues Junior™, Pro Junior™, Acoustasonic™ Jr. DSP, Acoustasonic 30, Acoustasonic SFX II, Bassman® 25, Bassman 60, Jazzmaster Ultralight™ Enclosure, Princeton 650™, Cyber Champ™, Rumble™ 112, Rumble 2x8, Super-Sonic™ 100 Head, Super-Sonic Twin, Super Champ™ X2/XD, and Bullet 15 DSP amplifier
• Fits most vintage and modern amplifiers
• 8" center to center.

11mm / 7/16" Radius, 20 Gauge Steel (Sold individually)

Revive the look of your vintage-style or modern Fender amp with a genuine Fender amplifier logo.

• Genuine Fender® flat black amplifier logo
• Mounting screws included
• Designed for Bassman® series, Super-Sonic™ series and Vibro-King® series amplifiers plus others

Measurements:

• Bottom Horizontal Mounting Holes Center-To-Center : 4.14” (150.1mm)
• Top Horizontal Mounting Holes Center-To-Center : 3.18” (81.9mm)
• Vertical Mounting Holes On “F” Center-To-Center : 1.98” (50.4mm)
• Vertical Mounting Holes On “R” Center-To-Center : .98” (24.9mm)

Revive the look of your vintage-style or modern Fender amp with a genuine Fender amplifier logo.

• Genuine Fender® tweed amp logo
• Mounting pins included
• Designed for Pro Junior™, Blues Junior™ and JazzMaster™ Ultralight amplifiers plus others

PCB mounting. Suitable for ¼" D x 1 ¼" L fuses.

Made for Fender® and used on a variety of vintage and contemporary models. Package contains twelve Phillips head (10-32 X 1-½") nickel machine screws used for mounting an amplifier chassis. Used on '57 Twin®, Blues Deluxe™/DeVille™, Pro Junior™, Hot Rod Deluxe™/DeVille™, Blues Junior™, '59 Bassman®, '63 Fender® Tube Reverb, Bronco™, Bass Breaker™, '57 Deluxe™, Bassman® TV Series, EC Twinolux™/Tremolux™, '57 Champ®, EC Vibro-Champ™, and '57 Bandmaster™ amplifiers manufactured from 1994-Present.